Syllabus
|
Course Code: MPAS 531 Course Name: History of Indian Music & Musicology |
||
| MODULE NO / UNIT | COURSE SYLLABUS CONTENTS OF MODULE | NOTES |
|---|---|---|
| 1 | (i) A critical and comparative study of the following Ragas:- Maru- Bihag—Nat -Bihag, Bilaskhani-Todi—Miyan ki Todi, Miyan Malhar—Bahar (ii) Theoretical study of the following Ragas:- Bhupali, Darbari, Shuddh-Sarang, Kirwani. |
|
| 2 | Notation of Vilambit & Drut Gatas of the Ragas prescribed in the syllabus along-with a few Aalap and Toras with a capacity to write the Notation in Pt.Bhatkhande or Pt. Vishnu Digambar Notation System. | |
| 3 | A study of the following Talas and ability to Write them in Ekgun, Dugun,Tigun & Chaugun Laykaries :- Dhamar, Sool-Taal, Chautal. | |
| 4 | (i) History of Indian Classical Music from 13th to 20th century. (ii) Principles of Orchestration and its possibilities and desirablities in Indian Music at present time. (iii) A study of the followings:- Aalapti, Sathya, Giti, Kaku, Kutup, Gamak and Jaties of the Ragas. (iv) Contribution to Indian Classical Music of following Musicians: Pt. Ahobal, Srinivas, Vynkatmukhi, Omkarnath Thakur, Ustad Rajab Ali Khan & Ustad Bismillah Khan.. |
|
