Syllabus
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Course Code: 818 Course Name: Group - II (vii) PEDAGOGY OFMUSIC |
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| MODULE NO / UNIT | COURSE SYLLABUS CONTENTS OF MODULE | NOTES |
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| 1 | 1. NATURE & SCOPE OF MUSIC • A brief history of Indian Music. • Need and importance of Music in secondary schools. • Aims & Objectives of teaching Music in schools • Co-relation of Music with other school subjects. • Knowledge of Swaras and Sruti • Blooms taxonomy of Instructional objectives |
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| 2 | 2. PEDAGOGICAL ANALYSIS AND LESSON PLANNING • Content - Swar - Saptak - Sruti - Rhythm - Taal • Pedagogical Analysis: Following points should be followed for pedagogical analysis: a) Identification of concept b) Listing behavioral outcomes c) Listing activities & experiments d) Listing evaluation techniques • Teaching Skills - Skill of Introducing the lesson - Skill of explaining - Skill of stimulus Variation - Skill of Questioning • Need & Importance of Lesson Plan in Music. |
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| 3 | 3. TEACHING LEARNING RESOURCES AND PROCESSES • Information about voice culture and Caryn‟s • Possibilities of Notation for Indian Music. • Motion and Rhythm in Music • Importance of various Teaching Aids in Music. • Qualities of Music Teachers: Gayak, Vadak and Vadykar. • Importance of classical Music and suggestions for the popularization of classical Music. |
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| 4 | 4. APPROACHES AND EVALUATION IN TEACHING • Methods of teaching Music - Play way method - Heuristic method - Lecture-cum-Demonstration - Geet Method - Project Method • Evaluation - Meaning, importance and types of evaluation in Music - Types of Evaluation techniques in Music - Preparation of Blue print and construction of Achievement test. |
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| 5 | Practicum/Sessionals Any Two of the following : • Every Candidate should be able to sing a fast Khyal or play a rezakhoni Gat with Tanas and Alaps or Jhala and Toras in each of the following Ragas: Bhupali, Bhairvi, Brindavani Sarag, Asawari, Bhimplashi, Malkauns, Kaffi. • Every candidate should be able to sing or play a slow Khal (Vilambit Bara Khyal) or Masti Khayal Gat in Asawari and Malkauns Rag. • The following Tals are required to be practiced in. Tha‟s and Dvigun Laya on Table: Teen Tal, Dadra, Juptal, Dharva, Ektal • Tuning of the instrument for the instrument player and tuning of the Janpura for vocal music students. • Candidate shall be able to read, write music notation either of Bhatkhande or Vishnu Digamber Pulskar. |
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